That an analysis of linguistic structure can be seen to contribute to an overall understanding of a complex work like Perfume is taken to add validity to the theoretical claims on which the analysis is based.The perfume has a more convincing force of persuasion than words, appearance and feelings. A study and an explanation of these alternative ways are then offered. We see and know through our eyes, and a representation of the world through an alternative modality should resort to equally alternative ways of expression. Our cognitive model of the external world, as far as it is based on perception, derives mainly from the sense of vision, a fact that provides motivated explanation for certain aspects of language structure. It argues that there are cognitive and experiential motivations for the metaphoric mappings in the sense of smell in the novel.
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